Studio Time: Kanna Earring Designs

Current earring designs I can re-create in either glass or polymer clay. If you need light earrings, I recommend polymer. If you like the beauty of glass and can handle a little bit of weight, then go for the glass.

1. Simple Drop ($18 Retail)

2. Loop and Triple Drop ($35 Retail)

3. Cherry Blossom ($47 Retail)

4. Lagoon ($35 Retail)

5. Lasso and Lariat ($47 Retail)

6. Graduated Drops ($22 Retail)

7. Stacked Loop and Triple Drop ($41 Retail)

8. Icicle and Drop ($47 Retail)

9. Twig ($59 Retail)

10. Cascading Droplets ($35 Retail)

11. Byzantine Chain with Large Bead ($47 Retail)

12. Rope and Bead ($39 Retail)

13. Triple decker small bead ($29 retail)

14. Endless Summer ($24 Retail)

15. Simple Silver and Bead ($24 Retail) - sunstone variation

15. Simple Silver and Bead ($24 Retail) glass bead variation

16. Confetti ($69 Retail) - Glass and carnelian variation

16. Confetti ($69 Retail) - Glass and carnelian variation

16. Confetti ($69 Retail) - Flamenco Variation 

16. Confetti ($69 Retail) - Pink Swarovski Crystal and glass bead variation

16. Confetti ($69 Retail) - Green peridot and dyed shell variation

Studio Time: Going to Bead College (aka the 10,000 Bead Project)

I was talking about my 10,000 Bead project with a fellow artist (Brenda) and what I was learning as I went along. By making the same beads over and over again and not doing any complex designs yet, I'm learning the nuances of my tools and supplies. Her comment, "Oh! You're sending yourself to Bead College!" I guess I am! Right now I'm working on my Associates Degree, in other words learning the basics and setting a foundation. 

For example, I'm learning how to use my torch effectively, getting less scared of lighting it, learning the value of adjusting the PSI on both the propane tank and the oxygen concentrator. I'm learning the difference between neutral, oxidizing, and reducing flames. I learned about reducing flames through a painful 37 Bead mistake. 

I'm also learning how to pay attention to safety issues and correcting them immediately if something seems off.

Another side effect of this project is that I'm learning the nuances of the glass. I'm making the same beads over and over again. I'm learning which glass tends to shock easier and how to manage shocking. I'm learning to extend my glass stash by fusing rod ends onto new rods to use up as much as possible.  I'm learning which types of glass work quickly or slowly and how to adjust my torch accordingly. For example I find ivory to be some of the softest glass and need to work it in a cooler flame to retain more control over it. These are the beads that go the most "organic" on me. Also I was trying to work faster by working with a hotter flame. I actually found I could work faster with a cooler flame since it didn't make the glass as molten and I could control the shape through gravity better. 

Another example is through making the same bead up to 100 times. Here is an example of the progression of making disk beads from early tries to middle improvements to final solid designs. I have to confess I love the shapes and texture of the beginner beads. I hope to be able to retain the ability to keep the texture even when I'm more skilled. 

Beginner beads. These are being held back.

 Better....

Best....so far.... the more I make, the more I learn, and the more I enjoy it.

Studio Time: Starting a big project

I've started a project I'm calling the "10,000 Bead Project." Right after I committed to that in my mind and to my coach, I got accepted into the Milwaukee Bead & Button Show! This is huge for me. I've been applying to juried shows and this is the first one I've been accepted into. And, this is a huge opportunity since it's focused exclusively on beads and buttons! 

I got the good news at the end of February, so March was about refining my designs and choosing a number of design to productionize. I was busy making beads in March, but I realized my approach was seriously inefficient. I looked at my pile of ideas (below) and chose designs to turn into production sets. 

Polymer Clay

I continue to explore the Texture & Patina theme and bring it into my work below. I create bi-color and tri-color carved beads and coordinating spacers.

I've also been experimenting with leaf and the patina...

And large carved focal beads. These are some of my favorite so far.

Lampwork Glass Sets

My first forays into making glass beads were very disappointing. I had forgotten so much about lamp working! I scorched my first batch of 37 beads. While they are still interesting, it was a huge disappointment, especially because I know they're "wrong" ... i.e. I didn't do this intentionally. I was really hoping to get the beautiful glass colors. My next small attempt was MUCH better (next photo and the real colors you should be seeing.)

So, the lesson was: I was working in a reducing flame (which is too much propane). I had forgotten how the flame should look. I didn't have the pressure up high enough on the oxygen either so I was working really really slowly. I ended up ordering a new, bigger torch. That has also been a learning experience, but as I'm learning by repeating the same bead over and over again, I'm getting much deeper and nuanced experience in the tools. I'm learning how to get the flame hotter, how to keep the flame a little cooler so I can work slower. I'm learning where to point the torch so it doesn't get clogged if glass shocks and gets stuck to the torch. I'm learning how to clean the torch if a small piece of glass does get stuck. I'm learning the pressure of the my oxygen concentrator and propane canister.

I am writing this as a lessons learned for the month of March. I needed a month to experiment and nail down the designs I could make into production sets (multiples of the same beads). I needed the time to learn my tools and improve my techniques.

Now that I have about 2,000 beads of production under my belt, I feel more confident about attending the Bead & Button show as an exhibitor! As I've reviewed the current body of work I've been collecting, I realize it's all very basic. But, basic techniques are the foundation of any good artist. That's a subject for the next post!

Studio Time: A collection of my best work

Attached is a body of work in lamp work glass beads and polymer clay beads from 2009 - 2017. 

My beads are simple and basic and I make a lot of my own beads into jewelry. I describe my style as organic and textural. I don't do a lot of focal beads. I create a lot of basic beads that are the foundation of most pieces of jewelry.

Patterned Beads - Lampwork Glass

Dots and reactive

Giraffe

Giraffe

Dots

Quirky Dalmation dots with Red

Simple dots

Textural nuggets and basic rounds

Swirls Beads

I created a technique for creating messy swirls of color. I mix opaque, opalescent, and translucent colors. Sometimes I do a simple mix of 2 colors up to 4-5 colors.

Polymer Clay

These are carved polymer clay beads that were a breakthrough design for me that allowed me to combine my glass with polymer.

Most of these beads are made with polymer clay and alcohol inks.